![]() But the soundtrack tells a different story. The movie’s grainy 16 mm texture and boxy 4:3 framing immediately announce the tradition Hill wants to situate himself in, a gritty, quasi-documentary style borrowed from Larry Clark’s Kids and its underground predecessors. ![]() He’s followed quickly by his older brother, who throws him to the ground and starts pummeling him with his fists. Jonah Hill’s first film as a director opens with a static shot of a hallway in a nondescript suburban home and holds for a moment of silence before a young man’s body hurtles through the doorways and smashes into a wall. In the interest of transparency, I should tell you that I knew I was going to hate Mid90s from the minute it started-really, from the first shot. The Story Behind the Flamin’ Hot Cheetos Movie Is a Bunch of Baloney What It’s Like to Play the “Other Guy” in the Year’s Best Love Story With Asteroid City, Wes Anderson Goes Where He Never Has Before Pixar’s New Movie Is So Bad It Makes Me Worry About the Studio’s Future
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